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Abraham Cho
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The Reality of Abundance
On the table of pine Stood a tiny Bowl of Blackberries You poured into it the whitest cream. In the corner her tail Wrapped around her tiny body As herself she did softly clean. Outside on the lawn Gently blowing the linen Almost as if it were a dream. And in the porcelain sink My sorrows deep. Pulled the drain and I sent t...
August 5, 2011 -
The Practice of Pilgrimage
Maria Fee Amid many recent faith and art conversations, including James K.A. Smith’s Gospel & Culture lecture, one point keeps coming up: talk is good, information invaluable, but transformation also happens through thedoing. There is a need in our technological society for Christians to form new practices and disciplines that direct us to the triune God, which ...
July 29, 2011 -
Visual Poems
Maria Fee Recently viewing Terrence Malick’s visually stunning, Tree of Life, I revisited another visual treasure, Julian Schnabel’s poetic film The Diving Bell and the Butterfly. The Diving Bell and the Butterflybeautifully conveys the human capacity to create and generate art despite tragic and confining perimeters through the story of Jean-Dominique Bauby, ...
July 22, 2011 -
Four E's of Faith and Work
Kenny Jhang A broad movement to integrate social, economic, and religious factors has gained momentum in our culture according to David Miller, founding Director of the Princeton University Faith & Work Initiative, Associate Research Scholar in CSR and Lecturer in the Department of Religion. In his book, God at Work: The History and Promise of the Faith at Work ...
July 9, 2011 -
John 20: The Second Gardener
Maria Fee In the beginning God affirmed matter and set into the cosmos a generative force that allows for both, beauty and sustainability. Yet the fall obscures our perception of his world; lost is our view of the garden. Our need for glory somehow trumps the Triune God’s. Thus, tarnished by brokenness, we no longer see God or the world rightly. This is one re...
July 8, 2011 -
Thomas Martin
This week we welcome and enjoy Thomas Martin's latest work. www.thomasmartinstudio.com "For me, drawing is a way to integrate my whole person, the unconscious, the felt and the rational, the desire to organize and the impulse to improvise. It functions as an intermediary momentbetween the idea and the reality, between the emotion and the response (T...
July 3, 2011 -
Quarternity
Maria Fee Anselm Kiefer’s painting Quaternity depicts a bare wooden interior. The room is the artist’s studio containing three small, seemingly contained fires and a serpent. The three flames are labeled Father, Son, and Holy Ghost; the serpent is branded, Satan. I will not presume to read into Kiefer’s symbolism, but for the sake of this entry I will ut...
June 24, 2011 -
Gospel & Culture Lectures Year at a Glance
Amilee Watkins Last year the Center for Faith & Work initiated a monthly lecture series to engage the broader Redeemer congregation, particularly those who are not available to regularly participate in monthly vocation groups. The goal of the series was to help process what it looks like for Christians to participate in culture. What is the link between the gospel ...
June 20, 2011 -
The Deep Places: Accessibility and Responsibility
Kenyon Adams As artists we have access to a key environment in the structure of a human being. Nigel Goodwin calls it "your belly". Martha Graham calls it "your center". Aretha Franklin calls it "my soul" and King David called it "my innermost being". This deep place exists between dreaming and waking where we are most ourselves, in...
June 17, 2011 -
Art and Suffering: Some Thoughts on Referencing Without Resisting
A recent trip to with friends to the United Nations NY Headquarters, and a subsequent perusal of its main gallery's current photographic exhibition, DeterMined, prompted me to revisit some thoughts on art and suffering. With the biblical prompting to "look after" those who suffer (James 1:27), I am particularly provoked by works that deal with the subject. D...
June 10, 2011
